Get 3D Postproduction: Stereoscopic Workflows and Techniques PDF

By Rick Baumgartner

ISBN-10: 1135040443

ISBN-13: 9781135040444

Grasp the advanced realities of 3D put up creation workflows and options with this exceptional advisor.

Brimming with suggestions which have been used on real 3D productions and will simply be included into your individual workflows, Rick Baumgartner's 3D Postproduction deals you:
• the easiest practices for 3D preproduction and construction to make sure a soft submit approach, saving either time and money
• ample workflow diagrams, reveal grabs, and checklists to enhance your studying with visible cues
• universal postproduction concerns equivalent to dailies, meeting, slicing, and colour correction, and the way they vary among 3D and 2nd submit pipelines
• Examples of 3D long gone undesirable and the way these eventualities may be avoided
• In-depth interviews with operating pros and vast tutorials that offer sensible perception from the trenches of real-world 3D postproduction

A significant other web site ( that includes undertaking records and movies demonstrating the 3D workflows coated within the book

An powerful 3D postproduction workflow allows more uncomplicated and extra versatile enhancing, larger capability for visible results enhancement, the power to mend construction blunders, and masses extra. You can't find the money for to overlook out!

Bring your 3D initiatives to the subsequent point with 3D Postproduction: Stereoscopic Workflows and Techniques.

Show description

Read or Download 3D Postproduction: Stereoscopic Workflows and Techniques PDF

Similar film books

New PDF release: Building Interactive Worlds in 3D: Virtual Sets and

In construction Interactive Worlds in 3D readers will locate turnkey tutorials that element the entire steps required to construct simulations and interactions, make the most of digital cameras, digital actors (with self-determined behaviors), and real-time physics together with gravity, collision, and topography. With the loose software program demos incorporated, 3D artists and builders can learn how to construct an absolutely functioning prototype.

Download e-book for iPad: The Pixar Touch by David A. Price

The Pixar contact is a full of life chronicle of Pixar Animation Studios' historical past and evolution, and the “fraternity of geeks” who formed it. With the aid of animating genius John Lasseter and visionary businessman Steve Jobs, Pixar has develop into the most suitable of lively filmmaking, starting with a quick lighting tricks shot made at Lucasfilm in 1982 all of the manner up in the course of the landmark movies Toy tale, discovering Nemo, Wall-E, and others.

Shocking Cinema of the Seventies - download pdf or read online

In a chain of cutting edge articles top critics and writers examine the social and cinematic concerns which formed the movies of the last decade. the amount considers movie genres similar to horror, the catastrophe motion picture, blaxploitation and Kung-Fu to be able to realize the reality in the back of some of the most prolific, turbulent and not easy classes in cinema historical past.

Download PDF by Leighton Grist: The Films of Martin Scorsese, 1963–77: Authorship and

This booklet is a examine of Martin Scorsese's early profession, from his pupil shorts motion pictures to long island, ny. Leighton Grist explores the connection among the problem of movie authorship and a interval of yank cinema marked via drawback and alter. it's a stimulating demonstration of sustained textual research, but in addition an important intervention within the debates surrounding movie authorship and an exam of the forces that form motion pictures and Scorsese's authorial discourse.

Additional info for 3D Postproduction: Stereoscopic Workflows and Techniques

Example text

9). 9 Core 3D Spatial Condition—Position. AREA OF INTEREST BEHIND SCREEN AREA OF INTEREST AT SCREEN AREA OF INTEREST IN FRONT OF SCREEN 22 OVERVIEW these spatial relationships is the primary creative technique of 3D, known as depth grading, which we discuss in Chapter 5. 3 Negative, Positive and Zero Parallax Changing parallax (in terms of both horizontal separation and relative position of L to R) over time results in moving the area of interest in a 3D frame away from or toward the viewer. Distant objects have a maximum parallax value; near objects also have a maximum parallax value.

L to indicate the “left eye” image or image path and R to indicate the “right eye” image or image path). The L light/data travels the L image path; the R light/signal travels the R image path. Each image path has unique electronic, optical, mechanical, digital and physical characteristics. Just as light undergoes several twist and turns before it gets to the imager via lenses, filters, mirrors, irises and shutters, imagery also undergoes several modifications in the post process. An example is transcoding data from one data wrapper format or from one color space to another.

There is nothing inherently 3D about either the L or R image as discrete or muxed image pairs. Each is simply a 2D image of a slightly different view of the scene that unfolds in front of the imaging system. 6) Establishing and maintaining the conditions under which image pairs can generate viable 3D frames is main topic of this book. L L1 L2 L3 L4 L... R R1 R2 R3 R4 R... 5 3D Image Pairs. 6 3D Frames. The important thing to note here is that 3D frames occur in the visual system of viewers, and thus, involve a degree of subjectivity.

Download PDF sample

3D Postproduction: Stereoscopic Workflows and Techniques by Rick Baumgartner

by Jeff

Rated 4.37 of 5 – based on 37 votes