By Mahmoud Darwish
“There are maps of Palestine that the politicians won't ever be able to forfeit: the single stored within the thoughts of Palestinian refugees, and that that is drawn by way of Mahmoud Darwish’s poetry.”—Anton Shammas
This extraordinary choice of Mahmoud Darwish’s poems and prose meditations is either lyrical and philosophical, wondering and clever, jam-packed with irony and protest and play. “Every appealing poem is an act of resistance.” As continually, Darwish’s musings on unrest and loss stay on love and humanity; fantasy and dream are inseparable from fact. “Truth is apparent as day.” through the publication, Darwish returns usually to his ongoing and infrequently lighthearted dialog with death.
Mahmoud Darwish (1941–2008) was once provided the Lannan Prize for Cultural Freedom in 2001. He used to be considered as the voice of the Palestinian humans and one of many maximum poets of our time.
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Additional resources for A River Dies of Thirst: Journals
The law of fear The killer looks at the spectre of the dead man, not into his eyes, without regret. He says to those around him: 'Don't blame me. I'm afraid. ' Others, admirers of the idea that progress is superior to morality, say: 'Justice emanates from the generosity of power. ' The spectre of the dead man appeared to them from a cloudless sky and when they opened fire on him they did not see a single drop of blood, and they were afraid. I walked on my heart I walked on my heart, as if my heart were a road, or a pavement, or air and my heart said: 'I have tired of identifying with things, when space has broken into pieces and I have tired of your question: "Where shall we go when there's no land there, and no sky�" And you obey me.
If we were to listen intently, we would hear the thud of the apple against a stone in God's garden, Abel's cry of fear when he first sees his own blood, the original moans of desire between a man and a woman who don't know what they are doing. We would hear Jonah's meditations in the belly of the whale and the secret negotiations between the ancient gods. If we were to listen intently to what is behind the veil of silence, we would hear nocturnal conversations between the prophets and their wives, the rhythms of the earliest poetry, sybarites complaining of boredom, horses' hooves in a war in an unspecified time and place, the music accompanying the sacred ritual of debauchery, Gilgamesh's tears over his friend Enkidu, the monkey's bewilderment as he jumps from out of the trees to occupy the throne of the tribe, Sarah and Hagar exchanging insults.
Would you prefer a bit more echo�' He said: 'I don't know. ' The auditorium was completely empty, hundreds of wooden seats staring at him, silent as a communal grave, urging him to leave or to join them. He preferred the second option, chose a seat in the middle of the front row and went to sleep. The director woke him up for the final run through. He went up on stage and improvised a long section, as he liked the idea of addressing empty seats and no one applauding him but the director. Then he improvised another section without a hitch.
A River Dies of Thirst: Journals by Mahmoud Darwish