After Effects On the Spot: Time-Saving Tips and Shortcuts - download pdf or read online

By Richard Harrington

ISBN-10: 0080498914

ISBN-13: 9780080498911

ISBN-10: 1578202396

ISBN-13: 9781578202393

'After results 6 immediate' grants quick strategies! full of over 350 options, this ebook will get movement snap shots and visible results artists up to the mark successfully in After results via permitting them to research what they should understand, once they want to know it. all the crucial equipment that pros use to get the activity performed are truly and concisely specific and illustrated. skilled editors will locate the publication sufficiently complete to orient themselves to After results model 6 and newbies will locate a useful reference choked with strategies to enhance their potency and creativity. filled with greater than four hundred recommendations, this publication grants what you must know—on the spot. skilled editors and rookies alike realize a useful reference choked with how one can enhance potency and creativity.

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39 P Auto -Orientation zz z 0 z Auto-brientar~on ~ off Orient Along Path Ortent { w a r d s Point of integgst %i v) v) 3 n z m Kcfleame Interpolarion Faithfully Yours When animating cameras, you may want to Auto Orient the Cameras to their Point Of Interest. This way, as the camera moves in space, its focus never wanders. 0 Select a camera. 0 Choose Layer>Transform>Auto Orient or press Cmd+Option+O (Ctrl+AlttO). 0 Choose Orient Towards Point of Interest, and to deactivate it, choose Off. Rovinq Kevframes /fl/ I After animating the position of a layer, you may decide that you want your rate of movement to be constant.

0 To Nudge a keyframe even later, press Option+Shift+Right Arrow (Alt+Shift+Right Arrow). 5 Inside the Box At any point of time, you can step inside a pre-composition. By Option+double-clicking on a pre-comp, you can step inside. Any changes made to the pre-comp will be reflected in all compositions for which the pre-comp is a part. t's in a Name? A layer can have two names, the one it comes in with, and the one you give it. Why is this useful? It all boils down to you keeping control. Perhaps you have added a footage item five times into your composition.

3D Assistants I: Cylinder My Name’s Solid and I’m a 3D Layer The Shadow Knows 3D Assistants (I: Lights Smile, You’re on Orbiting Camera! You Can Call Me Ray 3D Assistants Ill: Nulling Nulls Try Seeing Things from My View Manipulating the Manipulators 3D Assistants IV: Nulling Layers 2D or not 2D. That Is the Question Camera Shy 3D Assistants V: Exploding Layers There’s a Stain on My Window! My Picture Got Panned! 3D Assistants VI: Line ‘Em Up The Path t o Righteousness-in 3D What’s Your Point? Hold Shift for Real Time Feedback It’s Good t o Be Blurry Importing Without a Tariff Creative Zig-Zags I’m the Active Camera!

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After Effects On the Spot: Time-Saving Tips and Shortcuts from the Pros by Richard Harrington


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