By Tom Mes
This version incorporates a new and elevated color part, thoroughly up to date DVD details, and several other fresh experiences of Takashi Miike motion pictures that have been unavailable for insurance on the time of the book's preliminary construction.
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Extra resources for Agitator: The Cinema of Takashi Miike
The Okinawan locale ii captured nicely, with a montage of the islands US military presence, rundown bars and seaside ports, while its decrepit buildings and narrow alleys are put to fairly good use in the film’s action scenes. In several scenes the dialogue is spoken in the Okinawan dialect, which also helps to add dimension to characters and setting. Although Bodyguard Kiba is a step up from Miike’s previous work, taken at face value or compared to the director’s later films it comes off as little more than an average action film.
While Kayo sees this as the final straw, Tetsuya’s friends hatch a plan to get back at the yakuza.
Whom he kills (with a bullet in the groin) after the henchman tells him where Yoshihito can be found. He then locates Yoshihito in a decrepit apartment. When he tells his younger brother that he wants to take him away from Wang and bring him home to his parents, Yoshihito pulls a gun on him and says he has no interest in leaving. With the foolishness of y o u t h , h e s a y s t h a t h e is’just u s i n g W a n g t o h i s o w n e n d s . T a t s u h i t o t e l l s h i m a m a n l i k e Wang doesn’t let himself be used, then tries to grab his brother’s gun.
Agitator: The Cinema of Takashi Miike by Tom Mes